ISSUE 35 FALL/WINTER 2019/20 OUT NOW         ISSUE 35 FALL/WINTER 2019/20 OUT NOW    

KALEIDOSCOPE Issue #27 – Sterling Ruby Takeover

Conceived as a viral takeover of the magazine’s architecture, content and design, KALEIDOSCOPE’s takeover issues are the result of an intense dialogue with the artists and their studios giving us a key to enter their world and decode their network of influences.

This issue is a key to enter the world of Los Angeles-based artist Sterling Ruby, exclusively playing the double role of subject and guest editor.

Conceived as a viral, aggressive takeover of the magazine’s architecture, content and design, this hyper-vertical survey is the result of an intense dialogue with the artist and his studio, comprised of 160+ pages on his exuberant work and vision.

Ruby’s cover portrait is drawn from an extensive series shot by photographer Max Farago at the artist’s massive industrial studio space in LA. Inside, the Sterling Ruby Takeover decodes the artist’s grammar through an intimate conversation with artist Piero Golia and newly commissioned writings by Catherine Taft, Paul Schimmel, Alex Gartenfeld, Aram Moshayedi, Ross Simonini, and Donatien Grau; while his network of influences is explored through a series of guest features dedicated to his peers, heroes and collaborators, including Huma Bhabha (by Massimiliano Gioni), Cassils (by Francesca Gavin), Mike Davis (by Sterling Ruby), John Divola (by Alexander Shulan), Cyprien Gaillard (by Natalia Valencia Arango), Ron Nagle (by Sterling Ruby), Nancy Rubins (by Sterling Ruby), Raf Simons (by Alessio Ascari) and Melanie Schiff (by Sarah Workneh). All of this content is punctuated by stunning visual contributions especially created by Ruby for the magazine’s pages, comprising an unseen presentation of his Work Wear modeled by the entire studio team.

Born in 1972 on an American air force base in Germany, raised in rural Pennsylvania, trained in Chicago, Ruby moved to LA to finish his education, became Mike Kelley’s teaching assistant and quickly one of the city’s quintessential artists. Now 44, he runs a megastudio with a staff of over twenty under the big black sun. Complex to label in his unapologetic combination of compulsion and strategy, bigness and poetry, handcraft and seriality, darkness and psychedelia, hard and soft, Ruby is one of the most unique and controversial voices on the art scene, working incessantly across the most diverse media and platforms and stretching the limits of visual language.

This hybrid editorial experiment coincides with the artist’s major show at the Belvedere/Winterpalais in Vienna and participation in the “Made in LA” biennial at Hammer Museum, Los Angeles.

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